In games and anime, we often introduce new and original machines such as spaceships and robots, which offer a lot of potential for creative
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Author: tsugi-blog
Patch Anatomy #8 – Debris
Although GameSynth is often showcased creating deliberate sounds, it’s equally capable of creating exciting experimental sounds. In this patch anatomy, we will investigate using
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Patch Anatomy #7 – Water Swish
Synthesizing water can be tricky. It’s neither particularly noisy, nor is it incredibly harmonic. Fortunately, GameSynth has several modules available for designing convincingly watery
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Patch Anatomy #6 – Creaky Hinge
The sound of hinges and floorboards creaking in media is often tied to a visible, interactive event (such as opening a door). This interaction
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DSP Motion for Games
Thanks to game middleware such as Unity and Unreal, it is becoming easier every day to develop games with astounding visuals and realistic animations.
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Announcing MovieSynth
We are very excited to announce our upcoming product, MovieSynth. Built upon the success of GameSynth, MovieSynth will bring procedural audio techniques to the world
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Patch Anatomy #5 – Charged Shot
One of the great strengths of following a procedural approach to sound design is the potential for creating interrelated control. Any individual signal can
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DSP Motion and Stream Deck
In this post, we will see how to control DSP Motion from an Elgato Stream Deck. As implied by its name, the Stream Deck
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Patch Anatomy #4 – Impacts!
In this Patch Anatomy, we are going to look at creating a dynamically performable impact SFX generator. By using the velocity of a Meta
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Using DSP Motion and After Effects
In this post, we use DSP Motion to design the sounds of an animated logo created in After Effects. First, let’s see the final
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