{"id":3570,"date":"2020-10-01T08:00:51","date_gmt":"2020-10-01T08:00:51","guid":{"rendered":"http:\/\/procedural-audio.com\/blog\/?p=3570"},"modified":"2020-10-16T02:07:58","modified_gmt":"2020-10-16T02:07:58","slug":"announcing_moviesynth","status":"publish","type":"post","link":"http:\/\/procedural-audio.com\/blog\/2020\/10\/01\/announcing_moviesynth\/","title":{"rendered":"Announcing MovieSynth"},"content":{"rendered":"<p>We are very excited to announce our upcoming product, <a href=\"http:\/\/procedural-audio.com\/web\/en\/products-moviesynth.html\" target=\"_blank\" rel=\"noopener\">MovieSynth<\/a>. Built upon the success of <a href=\"http:\/\/procedural-audio.com\/web\/en\/products-gamesynth.html\" target=\"_blank\" rel=\"noopener\">GameSynth<\/a>,\u00a0MovieSynth will bring procedural audio techniques to the world of audio post-production.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/procedural-audio.com\/blog\/wp-content\/uploads\/2020\/10\/moviesynth-screenshot-top.png\" alt=\"moviesynth-screenshot-top\" width=\"480\" height=\"371\" class=\"alignnone size-full wp-image-3577\" srcset=\"http:\/\/procedural-audio.com\/blog\/wp-content\/uploads\/2020\/10\/moviesynth-screenshot-top.png 480w, http:\/\/procedural-audio.com\/blog\/wp-content\/uploads\/2020\/10\/moviesynth-screenshot-top-150x116.png 150w, http:\/\/procedural-audio.com\/blog\/wp-content\/uploads\/2020\/10\/moviesynth-screenshot-top-300x232.png 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/p>\n<p>Among the benefits of using procedural audio models for movie making:<\/p>\n<hr style=\"margin-top: 30px; margin-bottom: 30px;\">\n<ul>\n<li>\n<p><b>ultra-high audio quality<\/b>: since the sounds are fully generated, they have no background noise and offer a very high dynamic range<\/li>\n<li>\n<p><b>sound customization to perfectly match your movie\u2019s needs<\/b> (e.g.<b> <\/b>do you want a bigger explosion, more distant, with different types of debris?)<\/li>\n<li>\n<p><b>automatic creation of sound effects variations <\/b>(each footstep, gunshot etc. can sound different without tedious editing) <\/li>\n<li>\n<p><b>sound effects durations automatically matching the length of a sequence<\/b> (no time-stretching required, no loss in quality)<\/li>\n<li>\n<p><b>control of the sound based on the video content<\/b><\/li>\n<\/ul>\n<hr style=\"margin-top: 30px; margin-bottom: 30px;\">\n<p><b>MovieSynth will allow you to focus on the creative side of audio post-production while saving time and money. <\/b>You will be able to<b> <\/b>design the exact sound your movie or video deserves, without having to source new sounds or spend an insane amount of time editing samples!<\/p>\n<p>Are you a <b>content creator<\/b>\u00a0eager to learn how this revolutionary new technology can help you?<br \/>\nOr a sound designer\u00a0<b>interested in creating procedural sound models<\/b>\u00a0for MovieSynth?\n<\/p>\n<p>Contact us and subscribe to our <a href=\"http:\/\/procedural-audio.com\/web\/en\/newsletter.html\" target=\"_blank\" rel=\"noopener\">newsletter<\/a> to learn more!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are very excited to announce our upcoming product, MovieSynth. Built upon the success of GameSynth,\u00a0MovieSynth will bring procedural audio techniques to the world<\/p>\n","protected":false},"author":1,"featured_media":3573,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[21,2],"tags":[],"_links":{"self":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts\/3570"}],"collection":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/comments?post=3570"}],"version-history":[{"count":13,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts\/3570\/revisions"}],"predecessor-version":[{"id":3586,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts\/3570\/revisions\/3586"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/media\/3573"}],"wp:attachment":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/media?parent=3570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/categories?post=3570"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/tags?post=3570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}