{"id":1231,"date":"2018-10-11T06:25:19","date_gmt":"2018-10-11T06:25:19","guid":{"rendered":"http:\/\/procedural-audio.com\/blog\/?p=1231"},"modified":"2022-01-06T10:39:45","modified_gmt":"2022-01-06T10:39:45","slug":"gamesynth-educational-program","status":"publish","type":"post","link":"http:\/\/procedural-audio.com\/blog\/2018\/10\/11\/gamesynth-educational-program\/","title":{"rendered":"GameSynth Educational Program"},"content":{"rendered":"

Are you a student or teacher interested in sound design or game development? We have some great news for you! You will find out below how you can learn – or teach – procedural audio with GameSynth, at a lower price and with extra educational content!<\/p>\n

GameSynth<\/a> is the perfect tool to learn procedural audio for games thanks to:<\/p>\n

\n
\"a1\"<\/p>\n

A powerful patching system allowing for experimentation while staying easy and fast to use for production.<\/p>\n<\/div>\n

\"a7\"<\/p>\n

Many game-related features: automatic random variations, meta-parameters, events and direct export to middleware (Wwise, FMOD, ADX2, Unity).<\/p>\n<\/div>\n

\"a3\"<\/p>\n

Many presets in the tool, for all types of games, as well as an online repository<\/a> where users can share procedural audio patches.<\/p>\n<\/div>\n

\"a4\"<\/p>\n

A blog<\/a> with new tutorials posted regularly about GameSynth\u2019s features and methods to design procedural audio patches.<\/p>\n<\/div>\n

\"a5\"<\/p>\n

An exhaustive documentation, including a 100-page introduction to procedural audio patching that describes many useful techniques.<\/p>\n<\/div>\n

\"a6\"\n<\/p>\n

A plug-in SDK that will allow you to program and test new procedural audio models in just a few lines of code!<\/p>\n<\/div>\n<\/div>\n

Most importantly, GameSynth is currently being used in the production of many upcoming AAA games<\/strong>, quickly becoming the de-factor standard for procedural audio in games<\/strong> which makes it the tool you will use in professional life!<\/p>\n

This brings us to the GameSynth Educational Program<\/strong>.<\/p>\n

As for any other Tsugi software, we offer a 50% discount to students and faculty members<\/strong> who want to purchase GameSynth. Yes, you read that well: that means you can get GameSynth for US $195 instead of $390!<\/strong><\/p>\n

If you are a student, simply send us a proof of your enrolment by email at education@procedural-audio.com<\/a> – such as a photo or scan of your student card – and we will send you a special coupon to use in our store in return.<\/p>\n

If you are a teacher, you can buy licenses at the same price for the students following your course (or even cheaper for multiple licenses). Get in touch<\/a> with us for the details. In addition, we can provide extra educational material<\/strong> based on what you want to focus on in your cursus. We are already working with several universities around the world<\/strong> (more on this blog soon) and we would love to have you onboard!<\/p>\n

Contact us<\/a> if you have any questions about the GameSynth educational program.<\/p>\n

\"GameSynth\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Are you a student or teacher interested in sound design or game development? We have some great news for you! You will find out<\/p>\n","protected":false},"author":1,"featured_media":1266,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,15,2],"tags":[],"_links":{"self":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts\/1231"}],"collection":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/comments?post=1231"}],"version-history":[{"count":17,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts\/1231\/revisions"}],"predecessor-version":[{"id":4957,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/posts\/1231\/revisions\/4957"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/media\/1266"}],"wp:attachment":[{"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/media?parent=1231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/categories?post=1231"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/procedural-audio.com\/blog\/wp-json\/wp\/v2\/tags?post=1231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}